INSIDE JAPAN
roberto badin’s first book published by benjamin blanck
first edition sold out.
second edition AVAILABLE in bookshop as JEU DE PAUME, YVON LAMBERT, ARTZART, actesud, IBASHO, WALThER KÖNIg and bookstore among others
LIMITED EDITION PRINTS / PRICES UPON REQUEST
check the video interview with laurent breillat here.
Book launched with a photo exhibition at Galerie 7 rue Saint Claude in november 2018 in Paris
hotel jules & jim GALLERY from january 25th > march 12th 2019 IN PARIS
cyrille putman gallery at international photography festival from june 14th > august 31st 2019 in arles
collective show “architypes” at galerie du coté from nov 21st > dec 23rd 2019 in biarritz
festival pluie d’images from JAnuary 18th > february 29tH 2020 in brest
L’ANGLE PHOTOGRAPHIES FROM OCTOBER 3RD 2020 > JANUARY 6TH 2021 in HENDAYE
Arret sur image galerie From May 5TH > JUNE 5TH 2021 in bordeaux
MUSEE DES ARTS ASIATIQUES DES NICE FROM MAI 19TH > SEPTEMBER 27TH IN Nice
“With “Inside Japan”, Roberto Badin shatters preconceived ideas about Japanese cities: crowded subways, overpopulated intersections,
saturated with multicolored neon lights.
Roberto Badin invites you to discover the heart of a country full of contrasting tradition and modernity.
Each page is a work of art of the utmost precision. A clear vision. The masterful framing and natural light are meticulous narrators. Despite
the chaos of the metropolis, Roberto Badin captures ordinary life: a quiet daily routine, true, serene, intimate and silent. Lonely at times.”
BENJAMIN BLANCK is an independent publisher of art and photography books.
When I was a child growing up in Brazil in the 1970’s, most of my visual references were Japanese cartoons and television series.
Japan was like a distant planet that made me dream.
For me, it's a calm, silent and lonely country. Far from the “cliché” of the crowd of Shibuya that we often see.
My fascination for Japan is committed to codes that govern the relations between the Japanese themselves.
We feel a distance between people, That’s what I tried to convey with my images.
the mportant thing here is the perspective and the personal point of view.
I’m just bringing back what O saw.
However, The framing is already a bias, a personal act that involves more emotion rather than reason. «.
The void may be even more striking when we are projected in an scene with a character.
I put my frame and I wait for a character, But I never wait too long, because I believe that image must be made in a target space-time.
otherwise, it means the images was not ready for me.
I work without a tripod and I bring no artificial light.
What fascinates me is the image as a piece of reality.
The work of Tadao Ando is a source of inspiration by its forms and by the sobriety of the materials used.
The intention here is to create an imaginative space by means of an abstract image.
these taxis whose color seems so amazing and original, They have a very particular elegance,
the driver often wears white gloves and sometimes even a kepi.They open the door automatically,without moving from their seat.
I found this hospital in osaka by pure luck, if luck really exists…
It was busy, as most hospital halls around the world are, but i was invaded by an overwhelming feeling of calm and serenitY. There was a kind of silence that I tried to put in image.
My curiosity often takes me to the lobby of big hotels.There is always a special atmosphere, unique to each country.
Here, it is about mystery and tension, where the two men, apart from the others, seem to blend in the immensity of the decor.
I like the idea that they could be part of a movie scene.
In my approach, I seek to bring out the beauty of the everyday banality of a place.
I had to wait until the people sitting down left, and the space becomes a character in its own right.
I believe in the strength of the imagination of an image, more than the narrative description.
I was at Osaka station at 5:45am, whilist for my train to Okayama. I saw the taxi driver get out and light a cigarette, the smoke envelops his face, it looks like a scene from a japanese manga or a tarantino movie.
selected press (click to see each full article)
WALLPAPER MAGAZINE* « A subtle study of Japan’s inner-city serenity by photographer Roberto Badin »
pen international
it’s nice that
“ Roberto Badin’s latest series shows the vivid beauty and “underlying loneliness”of Japan”
ignant « Away From Chaos, Roberto Badin’s New Photo Book Captures The Quieter Nuances Of Japan »
the eye of photography « Ce qui me fascine, c’est l’image comme un morceau de la réalité »
aesthetica « Employing A Signature Clean Quality, Badin Renders Everyday Scenes With A Graphic Sensibility »
vogue brasil
konbini
the good life
« roberto badin s’est attaché aux détails et aux gestes du quotidien pour livrer une série intrigante où la foule a cédé la place à la solitude, à l’étrange, au vide. »
les numeriques « Voyage silencieux en terres nippones. Le photographe Roberto Badin nous livre sa vision personnelle du Japon. »
Lense
hotel & lodge magazine
Le japon a paris “ Roberto Badin brise les clichés habituellement admis au sujet des villes japonaises. “
phototrend
idboox
correspondance magazine
L’Idéale BibLi
journal du geek